Wednesday, October 30, 2013
I had the good fortune to hear Michael Hannon read his astounding poem "My Mother Walked Out" at the Santa Barbara Museum of Natural History in the 1980s. It was an experience I will never forget. Over the years I have continued to be a fan of his work, which is now celebrated in the just-released volume Imaginary Burden: Selected Poems. (Available at amazon.com)
If you live on the Central Coast, you might be able to catch one of the readings Michael is doing in support of this new book. The next one is coming up on November 8, 7 pm at the San Luis Obispo Museum of Art. Poets like Kenneth Rexroth, Sam Hamill, Gary Young and Joseph Stroud have sung his praises. He has collaborated for years with artists like William T. Wiley and Mary Heebner.
More good fortune: a dear friend sent me the above book and also Who On Earth (also available on amazon.com) after Michael's recent reading at Granada Books in Santa Barbara. I have many favorites in this small volume, including "The Thrush," "Tick Tock," and "Cold Snap." His poems have a sparse yet lyrical quality, evoking the unseen equally with the visible world.
And, he has a sense of humor. One of my all-time favorites is "The Poet At Fifty," which sums up a lifetime in one brief line: "Not only more than meets the eye, but less."
P.S.: Two of Michael Hannon's crow poems appear in the anthology A Bird Black As the Sun: California Poets on Crows & Ravens.
Monday, October 21, 2013
The first weekend of the Hwy. 62 Studio Tours was a big success at Studio 13! The four happy artists, left to right: Paul Klopfenstein (gourd art), Kathi Klopfenstein (sculptural basketry), Deane Locke (watercolors), and Bill Dahl (photography).
Dave and Deane Locke's garage is transformed into a gallery for the occasion.
The above photo of Bill is by Steve Brown, publisher of The Sun Runner Magazine and host of the PBS TV show "The Real Desert." See Steve's blog for a report on Studio 13 and other stops on the tour's first weekend.
There's something in every price range at Studio 13--including free! Stop by and get your free Bill Dahl Photography bookmark. The final weekend of the tours is this Saturday and Sunday, October 26 and 27, 9 to 5 pm. For directions to the studio, visit hwy62art.com.
Tuesday, October 15, 2013
The 12th Annual Hwy. 62 Art Tours start this weekend, with over 100 artists throughout the Morongo Basin opening their studios to the public. This year Bill was invited to team up with three other artists in our neighborhood. Their venue, Studio #13 on the tour, will kick things off with a preview night this Friday, October 18, from 5-8 pm. Weekend hours will be Saturday and Sunday, Oct. 19-20 and 26-27, from 9 am to 5 pm. Along with the great art, there will be food and live music at Studio #13. Please stop by, we'd love to see you!
Here are some brief blurbs about the artists and their work. For more information, and for directions to Studio #13, visit www.hwy62arttours.com
Kathi Klopfenstein’s introduction to the world of basketry came in 1995 when she took her first basket class at Idyllwild Arts. She has studied basketry with over 20 teachers. She specializes in sculptural basketry, incorporating elements such as antlers and ceramics into her unique creations.
Gourd artist Paul Klopfenstein is inspired by traditional Native American images. He draws his designs by hand and then uses a power-carving tool to create the depth and texture. He has demonstrated his technique at gourd festivals and taught numerous classes for the California Gourd Society.
Deane Locke creates paintings, drawings, and illustrations in watercolors and pastels. Her subject preferences lean toward barns, blooms and birds. She is a member of the Chaparral Artists, Morongo Valley Art Colony, Desert Art Center and Watercolor West.
Bill Dahl is especially inspired by California’s deserts and the Eastern Sierras. His photographs have appeared in juried shows and won awards in Santa Barbara, Ojai, Yucca Valley, and Twentynine Palms, California. He has three books: Shared Visions I, Shared Visions II, and In the Mojave, where his photos are accompanied by poetry by his wife, Cynthia Anderson.
Tuesday, October 8, 2013
We had never heard of the Elfin Forest, and found out about it just by chance while looking for new things to see on our trip to the Central Coast. It's a unique spot: a coastal forest that got its name from the pygmy oaks that grow there. They are the same coast live oaks that elsewhere grow up to 50 feet tall--here, though, they top out at around 12 feet. This photo was taken in the Rose Bowker Grove, a maze of twisted trunks that rise up, turn back into the ground and come up again.
A boardwalk leads you through this dense habitat, which has many different kinds of coastal vegetation--areas of coastal dune scrub and maritime chaparral as well as the pygmy oak woodland. The draping plants here are called lace lichen--a combination of fungi and algae. According to the forest brochure, these lichens help the trees by gathering "moisture and nutrients from the foggy air."
The air was certainly foggy on the day we were there. Here's the view from Bush Lupine Point--such as it was! On a clear day, Morro Rock would be sitting just out to the west, beyond the wetlands.
The boardwalk has interpretive panels that relate some of the Native American history associated with this spot. Apparently Indians inhabited the area for at least 9,000 years. Some of the present-day pygmy oaks are 200-400 years old--but the implication is that this has been an elfin forest for a long, long time.
For more information about the El Moro Elfin Forest, including how to get there, click here.
Tuesday, October 1, 2013
One of the highlights of our August trip to the Central Coast was a tour of the Piedras Blancas Light Station. Located just north of San Simeon, the light station was closed to the public until a few years ago. Now it's being renovated, and the two-hour tour is really informative--well worth it for a look at the buildings and a walk along the coastal nature trail.
On the day we were there, it was quite foggy. Still, the views of the rocks were spectacular, and the sounds of barking seals and sea lions nearly deafening! Hordes of seabirds were roosting on the rocks as well. The native landscape is an amazing comeback story: what you see here used to be covered in iceplant. Once all the iceplant was removed and carted away, the native plants came back on their own--bringing the rest of the ecosystem (land birds, rabbits, rodents, reptiles) with them.
This picturesque building, c. 1905, is known as the "fog signal building," which housed the equipment for a sound signal. As part of the restoration, it's going to be painted white as a faithful replica of the original. Plans also include restoring the upper levels of the lighthouse, see below.
There is a small gift shop in a separate building, plus displays of Indian artifacts found on site. This was a major center for the manufacture of arrowheads from chert. You can also see many tiny shell fragments on the ground beside the boardwalk nature trail.
Signs of present-day human habitation--I love the red union suit!
For more information about the tours, click here